FILM PUSHED AT 2000 ASA

PANDORUM(2008) Directed by Chris Alvart cinematography by Wedigo von Schultzendorff BVK was shot on Kodak Film stock Vision 2 500T 5218 70% of the films exposure is rated at 2000 ASA .Filmed with Super 35,Spherical Master Primes and Arriflex 435 film cameras


HEAT(1995) Directed by Michael Mann cinematography by Dante Spinotti ASC AIC, was shot on Eastman EXR 500T 5298 film stock the exposure is rated at 2000 ASA.Filmed with Cine SL-35 Camera, Panavision Panaflex Platinum Camera using lenses Panavision Anamorphic Super High Speed Lenses, Panavision E Series Anamorphic Lenses and Panavision Primo Anamorphic Lenses.

 

Force processing and Flashing ,Force Processing is also called pushing, is the more common of the two. The easiest way to explain this is that if you find yourself in a situation where you don’t have
enough light, you can underexpose the film and then ask the lab personnel to “push”it. They would leave the file in the developer longer, overdeveloping it. The staff atmost labs have substantial experience with this and can be quite precise in how theymatch up what you have done with how they process the film. Care must be taken
when you do this, however, because the quality of the image will change from the film
that has been normally exposed and normally processed. The film will have a diffe
rent
Look, Leaving the film longer in the soup (slang for the developing chemicals) generally
increases contrast and creates more visible grain. As always, you have to think about
how the pieces will match up with other things you are shooting,
Most DPs push film because they are trying to achieve a specific effect. It is great
for producing a grainier, more abstract image. In cases like this, you build that stop
(or stops) of underexposure into your filming by changing the films El. This relates
to the concept of halving and doubling . Every doubling or
halving of EI represents an f-stop, and you change the El rather than make the mental
Computation each time.If you have a film stock normally rated at 500 EI and you want to push it two stops, what would the new EI be?
One stop would be 1,000, and two stops would be 2,000. If you rate the film stock at 2,000, you will automatically
be building two stops of underexposure into everything you film. You then tell the
lab to push the film two stops, and the lab compensates for what you have done by
leaving the film in the soup longer.

 

GUSMANO CESARETTI 2018 EXHIBITION @ PORCARI [LUCCA]

GUSMANO CESARETTI IS IN HIS NATIVE TOWN PROCARI(LUCCA) FOR A UNIQUE EXHIBITION; FROM 24 MARCH TO 27 OF MAY 2018 WE CAN ADMIRE HIS OUTSTANDING PHOTOGRAPHIC WORLD LINKED TO CINEMA INDUSTRY, FONDAZIONE LAZZARESCHI OFFICIAL LINK

I’m one of those audience that stay SIT and read  all the movie end credits so since Michael Mann’s THIEF,I was younger and in full VHS era, his noble and “FROM other times” name credited often as Visual Consultant hit my interest, so in the years I understand who Gusmano is and finally I understand why I truly LOVE a certain kind of cinema . So if matter of LOVE I hope to meet him one day for shake hands and have a great day.

LINK TO BARGANEWS.COM

Best Shots Of My Summer 2017

Taken With Samsung S6 920f and PENTAX K 01

Feeding Of Love,Genova 2017

https://flic.kr/p/XBhhLi

 Icaro , Framura 2017

https://flic.kr/p/XgXUXo

IMGP7915_Silk_Reduced

https://flic.kr/p/Y7pZTC

Street Photography Awards 2017 – Lensculture

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GOING AFTER THE FUTURE

TORINO ITALY , JULY 2016 Samsung S6 920F f 1.9 ISO 50 1/100


 

BEST VIDEO FROM MY YOUTUBE CHANNEL

HERE SOME OF BEST VIDEO FROM MY YOUTUBE CHANNEL, ENJOY

From an old Shell adv I just re-scored it using Il Padre Di Italia soundtrack composed by the fluent Italian Composer Giorgio Giampà

1997 I was in L.A., I filmed everything with my VHSC this is what I have to show briefly,LA is a big set everything turn easy,I loved bee there as tourist

This is was edited From Criterion Collection Thief using an alternate edition of Tangerine Dream’s Beach Scene

Aaron ‘s We Cut The Night is one of best album of 2016, Invisible Stain fit perfect for BLACKHAT e

Mise-en-scène is what I see in Michael Mann’s Films

Don’t ask what precisely THE KILLERS have to Share with ALI but I think that’s a great Video and a Great Song

FOR OTHERS THINGS CHECK https://www.youtube.com/user/glaekenFP