Here the End Sequence of Michael Mann’s THE KEEP(1983, Paramount Feature) REVISE using Oblivion soundtrack by M83 ” I’m sending you Away “. I think that it fit perfectly,SO Enjoy!
John Carpenter’s 1989 cult car horror score is being reissued on vinyl for the first time.
TAKEN FROM THE VINYL FACTORY LIMITED GB : Originally released by Varèse Sarabande (VS-5240) , followed by a second Motown version that same year, Carpenter created the haunted moto-synthscapes for Christine with frequent collaborator Alan Howarth.
My contact on Varèse confirm : “Cats out of the bag, yep that’s us! We have commissioned new art and I must say it looks FANTASTIC! We’ll be announcing this on our Twitter and Facebook page WITH the new art on August 16th, join us then Fabio and SPREAD the word on this cool new vinyl product!
(THE COVER YOU ‘RE LOOKING UPSTAIRS WAS MADE BY MYSELF AS “FANMADE”)
Little information about the LP has been release, but its scant Amazon listing hints at the existence of a blue variant, while SoundStage has a black version for pre-sale as well.Pre-order the blue vinyl here or the black version here ahead of its 29 September 2017 release, and listen to track ‘Christine Attack’ below.
HERE SOME OF BEST VIDEO FROM MY YOUTUBE CHANNEL, ENJOY
From an old Shell adv I just re-scored it using Il Padre Di Italia soundtrack composed by the fluent Italian Composer Giorgio Giampà
1997 I was in L.A., I filmed everything with my VHSC this is what I have to show briefly,LA is a big set everything turn easy,I loved bee there as tourist
This is was edited From Criterion Collection Thief using an alternate edition of Tangerine Dream’s Beach Scene
Aaron ‘s We Cut The Night is one of best album of 2016, Invisible Stain fit perfect for BLACKHAT e
Mise-en-scène is what I see in Michael Mann’s Films
Don’t ask what precisely THE KILLERS have to Share with ALI but I think that’s a great Video and a Great Song
FOR OTHERS THINGS CHECK https://www.youtube.com/user/glaekenFP
As far as this soundtrack, in my view Michael Mann’s masterpiece, is concerned it is really possible to talk about “Miscellaneous Artists”. To be true, it all began to find out the beautiful piece The Last Lagoon by William Orbit (famous English, electronic music producer and arranger) and after several years of searching I could understand, quite totally, the very core of this film music.
Michael Mann maximises the emphasising of the visual impact together with the sound one by drawing profusely from famous and brillant authors such as the Kronos Quartet and Elliot Goldenthal (Alien 3).
Other tracks are omitted in the score official version, maybe both for room and royalties reasons, but anyway used in the film.
It is specifically these latter that I am going to consider mainly by listing aside the context they have been matched with:
– Get Up To This – New world beat
(Vincent at the disco’s office discover who “Slick” is;probably the Disco’s Background music fading…)
– Gringatcho Demento – William Orbit
(background music when Waingro is looking for a job in a bar) – track from Strange Cargo III album
– The thrill is gone – BB King
(During the ball of Vincent and Justine…)
– Concerto for Violoncello and Orchestra Boulez conducted by Ligeti
(the Platinum robbery) track from the namesake album
– The Monkey King William Orbit
(Chris, Neil and Michael mislead the guard by gesticulating) track from Strange cargo III
– Arabic Agony James
(L.A.P.D. Smile!…a picture from above)
– In November – David Darling
(Neil finds out from some documents who Vincent Hanna is) track from Cello album
– Late Evening in Jersey – Brian Eno
(Chris and Michael in the underground car park hack into the computer altering the bank alarm /Charlene and Dominique ask for the police safeguard)
– Black Cloud – Steve Roach /Elmar Schulte performed by Solitaire
(Waingro meets Roger Van Zant/ Donald stops what he was doing…) track from Ritual Ground album
– Celon – Lisa Gerrard / Pieter Bourke
(News of the bank robbery on TV)
– Will Gaines – Eric Clapton
(Neil devises with Nate a new escape plan / Vincent and Casalas visit Hugh Benny)
– The Last Lagoon – William Orbit
(Vincent says about Neil: “… He’s is still here…”I feel it” … Neil runs after Eady on the hill at dawn)
– The Mighty Limpopo – William Orbit
(Chris understands Charlene’s wave and leaves) – track from Strange Cargo I album
The piece The Last Lagoon by William Orbit (taken from Strange Cargo II album) replace Run Up Hill scene written by Elliot Goldenthal and included in the official soundtrack.
The same is true for the track Refinery Surveillance (scene of the surveillance in the refinery) afterwards replaced by three pieces: The Monkey King by William Orbit, In November by David Darling mixed with Arabic Agony by the James, this latter is taken from Wah Wah album.
Celon by Lisa Gerrard is used in the film but omitted in the soundtrack edition; all the three pieces by Lisa Gerrard are included in The Mirror Pool album.
New Dawn Fades, a shorter, not sung version, is used during the motorway chase between Vincent and Neil and it is a remake by Moby of the namesake piece by the Joy Division; the song integral version is available in the album I Like to Score by Moby.
Armenia by the Einstűrzende Neubauten (taken from Drawings of Patient O.T. album) used for a few seconds during the first “sceptical” meeting of Neil and Eady will be present also in other ”Hard” parts of Heat as well as in “The Insider”; the piece Late evening in Jersey by Brian Eno has recently been recorded on a compilation of unpublished works called Curiosities Vol. 1 (Opal Records).
Top O’ The Morning To Ya written by Eric Schrod, Leon Demant and Willie Dixon is played by the House Of Pain (taken from the House of Pain album) and it is in background during the meeting between Vincent and the informer Richard Torena in the Disco Club; By The Time I Get To Phoenix written by Jimmy Webb is probably droned by Vincent Hanna during the informer Albert Torena questioning.
Will Gaines by Eric Clapton is a piece taken from the soundtrack of Rush, a 1991 film directed by Lili Fini Zanuck.
As far as Ultramarine by Michael Brook is concerned, there is a special, unreleased version used when Vincent Hanna, in an understandable fit of hysteria, throws away his TV set at a traffic light.
There are two versions of the End Title composed by Moby and called God Moving Over the Face of the Waters: the “soft” one included in the official CD and the one included both in the single That’s When I Reach for My Revolver God Moving Over the Face of the Waters Heat Mix and in the above quoted album I like to score.However, the one in the film is slightly different from both these latter.
The pieces composed by Elliot Goldenthal and produced by Mathias Gohl are listed below among the others; the composer has made use, for some pieces, of the collaboration of the Kronos Quartet, the contemporary string quartet already known for collaborating with Philip Glass and with the The guitar orchestra Deaf Elk leading Page Hamilton of metal band Helmet
Warner Bros 9362-46144-2
1 Heat-Performed by The Kronos Quartet 7:42
2 Always Forever Now-Passengers 6:55
3 Condensers 2:35
4 Refinery Surveillance-Performed by The Kronos Quartet 1:46
5 Last Nite-The Chasers 3:29
6 Ultramarine – Michael Brook 4:35
7 Armenia – Einstürzende Neubauten 4:58
8 Of Helplessness 2:40
9 Steel Cello Lament 1:44
10 Mystery Man – Terje Rypdal 4:40
11 New Dawn Fades – Moby 2:50
12 Entrada & Shootout 1:49
13 Force Marker – Brian Eno 3:37
14 Coffee Shop 1:38
15 Fate Scrapes 1:34
16 La Bas[Edited Version] – Lisa Gerrard 3:11
17 Gloradin – Lisa Gerrard 3:57
18 Run Uphill 2:51
19 Predator Diorama – The Kronos Quartet 2:40
20 Of Separation 2:21
21 God Moving Over the Face of the Waters – Moby 6:58
HEAT B SIDE CDR This anthology was set using the music not inserted in to the original soundtrack record.Enjoy the Mixcloud
The Texas Chainsaw Massacre Part 2
Music From The Motion Picture
Taken from my personal 12″ copy from IRS Records ( IRS-6184 ) here a Mixcloud of this rare Out of Print Soundtrack Gem, I love the music used in this feature,more than the movie itself however I liked the “mojo” that Tobe Hooper used in doing that!
I FOUND IT IN TO GENOVA “OUT OF BUSINESSES SHOP”; THIS SOUNDTRACK IS THE RE OF SILVA SCREEN SILLP1493 BUT PRINTED AS ONE VINYL LP (NOT DOUBLE VINYL LP) AND IT COMES BY DAGORED RECORDS ITALY(RED 124 LP Barcode 8013252012419) ,IS VG+ MEDIA AND SLEEVE CONDITION ALBUM AND I WAS VERY SATISFY DUE THE BARGAIN WITH THE SELLER..
The listening experience is quite great the LPs sound of this edition is something of magic,there are very warm extension on bass frequencies and the highs really play great with my vintage Pioneer PL930 and Jbl LX44,BUT when I turn that for the B Side I discovered my copy have the B Side of another Lps from Dagored,to be more focused in my copy of Escape from NY i have record the B side of John Barry’s Game of Death(RED 121 LP) so I have Snake Plissken sharing room with Billy Chen ,and for that reason I guess if this is not a common error this Lp could be Rare as Unique!I don’t know if I will sell it for some undeniable offers for sure I will try to get another copy (complete) of this outstanding evergreen soundtrack by John Carpenter and Alan Howarth.
From John Carpenter’s THE THING Soundtrack composed by ENNIO MORRICONE , 3 tracks ETERNITY,BESTIALITY and DESPAIR(Discovering the flying saucer scene from the Thing) used on Quentin Tarantino’s HATEFUL EIGHT .
Remastered version by Larry Hopkins from THE THING Soundtrack BSXCD 8895