MY FAVOURITE THINGS FROM – N E T F L I X –

I’M NOT A NETFLIX ADDICTED IN MY VIEW IS TOO MUCH EXPANSIVE AND THEY TREAT AUDIENCE LIKE WE NEVER BEEN AT THE MOVIES,ESPECIALLY FOR SOME RIPPED OFF NETFILX MOVIE SUBJECTS(AND ARE NOT BETTER IDEAS), HOWEVER THEY HAVE BROADCASTED , LISTED OR PRODUCED SOME REMARKABLE THINGS OR SERIES THAT I WOULD LOVE TO REMIND AND REALLY DESERVE THE PRICE OF THE TICKET.

RICK AND MORTY 1,2,3

 

 

 

 

BLACK MIRROR

 

 

 

 

 

ONE PUNCH MAN

 

 

 

LOVE DEATH + ROBOTS

 

 

 

 

STRANGER THINGS 1,2,3

 

 

 

 

MINDHUNTER

 

 

 

 

LOST IN SPACE

 

 

 

 

suburra

FILM PUSHED AT 2000 ASA

PANDORUM(2008) Directed by Chris Alvart cinematography by Wedigo von Schultzendorff BVK was shot on Kodak Film stock Vision 2 500T 5218 70% of the films exposure is rated at 2000 ASA .Filmed with Super 35,Spherical Master Primes and Arriflex 435 film cameras


HEAT(1995) Directed by Michael Mann cinematography by Dante Spinotti ASC AIC, was shot on Eastman EXR 500T 5298 film stock the exposure is rated at 2000 ASA.Filmed with Cine SL-35 Camera, Panavision Panaflex Platinum Camera using lenses Panavision Anamorphic Super High Speed Lenses, Panavision E Series Anamorphic Lenses and Panavision Primo Anamorphic Lenses.

 

Force processing and Flashing ,Force Processing is also called pushing, is the more common of the two. The easiest way to explain this is that if you find yourself in a situation where you don’t have
enough light, you can underexpose the film and then ask the lab personnel to “push”it. They would leave the file in the developer longer, overdeveloping it. The staff atmost labs have substantial experience with this and can be quite precise in how theymatch up what you have done with how they process the film. Care must be taken
when you do this, however, because the quality of the image will change from the film
that has been normally exposed and normally processed. The film will have a diffe
rent
Look, Leaving the film longer in the soup (slang for the developing chemicals) generally
increases contrast and creates more visible grain. As always, you have to think about
how the pieces will match up with other things you are shooting,
Most DPs push film because they are trying to achieve a specific effect. It is great
for producing a grainier, more abstract image. In cases like this, you build that stop
(or stops) of underexposure into your filming by changing the films El. This relates
to the concept of halving and doubling . Every doubling or
halving of EI represents an f-stop, and you change the El rather than make the mental
Computation each time.If you have a film stock normally rated at 500 EI and you want to push it two stops, what would the new EI be?
One stop would be 1,000, and two stops would be 2,000. If you rate the film stock at 2,000, you will automatically
be building two stops of underexposure into everything you film. You then tell the
lab to push the film two stops, and the lab compensates for what you have done by
leaving the film in the soup longer.

 

MARTIN STIG ANDERSEN

IN MATTER OF” MUSICAL ADVISER ” THIS IS ONE OF MOST BEAUTIFUL TRACK (FROM INSIDE GAME SOUNDTRACK) THAT SOUNDCLOUD BRING TO MY EARS, HE IS MARTIN STIG ANDERSEN ,OUTSTANDING COMPOSER ,HE DESERVE MORE ATTENTION FROM CINEMA INDUSTRY.

APPARAT LP5

APPARAT [Sascha Ring ,Quedlinburg, 27 june 1978] RELEASE THE FIFTH ALBUM NAMED LP5 AND PUT OUR MIND INTO A OUTSTANDING MUSICAL LANDSCAPE WITH AN ABSTRACT aim produce and shape MUSIC BETWEEN A NEW KIND of ELECTRONIC AMBIENT (BUT WITH CLASSIC ROOTS) FULL OF WISTFUL MOMENTS AND ELATED IMMENSITY.I’M VERY ADDICTED OF DAWAN – LAMINAR FLOW – eq Break – caronte – OUTLIER AND IN GRAVITAS . A MUST AND ANOTHER ALBUM TO WEAR OUT AFTER THE PREVIOUS [ Krieg Und Frieden (Music For Theatre) -the devils walk – dj kicks – WALLS ] ,MEANWHILE i’m STILL WAITING FOR capri revolution  RELEASE THAT won VENICE soundtrack Stars Award 2018

MUTE STORE  

 

TORINO VINYL HUNT

HOOKING YOU UP WITH BASED IN TORINO RECORDS SHOPS, FOLLOW THE PATH HERE;NOT FAR FROM CENTRAL RAILWAY STATION PORTA NUOVA GO OUTSIDE AND REACH NEARBYLA COLONNA SONORA,AFTER THAT STEP ASK FOR BUS/TRAM PLATFORM 39 AND GO UP TO BUS/TRAM6 OR 68 THEN AFTER SOME MINUTES YOU WILL REACH THE STOP 3549 VERDI,SO YOU ARRIVE IN VIA PO, HERE WITHIN A RANGE OF 500 METERS  CAN FOUND EASLY THOSE SHOPS,ENRICO’S NERO VINILE(EVERY GENRE Used VINYL AND CDs),FRAU MUSICA(Classic CD VINYL NEW AND USED),MATERIALE RESISTENTE(EVERY GENRE Used TAPE,VINYL AND CD) AND MARCO E MATTEO’S LES YPER SOUND(NEW VINYL CDs AND USED);IF YOU HAVE NOT FOUND WHAT ARE YOU LOOKING FOR OR YOU HAVE STILL MONEY IN YOUR POCKET GO TO BUS/TRAM PLATFORM 769 VIA PO AND GO UP TO TRAM/BUS NUMBER 18 OR 68 THEN REACH THE STOP AT PLATFORM 782 MARCONI, WALK FOR 10 MINUTES HEADING TO VIA ORMEA 31 FOR REACH THE SHOP OF MY FRIEND ANDREA DISCHI & DINTORNI


AFTER ALL IF YOU ARE HUNGRY THE LAST TRAIN FOR BACK HOME IS ENOUGH FAR OR YOU HAVE DO THIS VINYL TRIP WITH A CAR, THOSE PLACES COULD BE GREAT FOR TAKE A GREAT MEAL ,CLOSE TO VIA PO ,PIZZERIA MAMMA MIA  TRATTORIA LA GAIA SCIENZA,OR CLOSE TO VIA ORMEA L’ANGOLO DI PARIN AND TRATTORIA COCO’S