Here the End Sequence of Michael Mann’s THE KEEP(1983, Paramount Feature) REVISE using Oblivion soundtrack by M83 ” I’m sending you Away “. I think that it fit perfectly,SO Enjoy!
ANOTHER VIDEO-GIFT FROM A OLD VHS TAPE I OWN , A RARE INTERVIEW FROM BBC CLOSE UP MICHAEL MANN’S CHOOSES HIS FAVOURITE MOMENT IN CINEMA,RAUL WALSH’S WHITE HEAT AND ELIA KAZAN’S EAST OF EDEN, VIDEO PRODUCED BY NICK FREAND JONES 1995 BBC.ENJOY!!
I HAVE THE LUCK TO FIND A BRAND NEW VHS PLAYER[Philips VR910] SO HERE A GEM FROM AN OLD VHS TAPE THAT I OWN;TAPE HIDDEN IN MY DRAWERS AND GAVE ME TO MICHAEL MANN’S ITALIAN BIOGRAPHER MY FRIEND PIER MARIA BOCCHI[MANY YEARS AGO].THIS IS THE MAKING OF LUCKY STAR AN ADVERTISMENT COMMISSIONED BY MERCEDES-BENZ IN 2002 TO PROMOTE THEIR SL500 AUTOMOBILE. STARRING BENICIO DEL TORO AND ANA CRISTINA DE OLIVEIRA IS DIRECTED BY MICHAEL MANN BUT HE WAS UNCREDITED FOR HIS WORK[The Guardian 9 July 2002] ,NOW IN 2017 I CAN SEE HOW THIS OUTSTANDING ADV. SHAPED , LIKE A SORT OF FORWARD-LOOKING PRE PRODUCTION, COLLATERAL  MIAMI VICE & BLACKHAT; LAST BUT NOT THE LEAST I’M STILL HOPING THAT LUCKY STAR MIGHT BECOME A REAL MOVIE AFTER ALL.ENJOY.
HERE SOME OF BEST VIDEO FROM MY YOUTUBE CHANNEL, ENJOY
From an old Shell adv I just re-scored it using Il Padre Di Italia soundtrack composed by the fluent Italian Composer Giorgio Giampà
1997 I was in L.A., I filmed everything with my VHSC this is what I have to show briefly,LA is a big set everything turn easy,I loved bee there as tourist
This is was edited From Criterion Collection Thief using an alternate edition of Tangerine Dream’s Beach Scene
Aaron ‘s We Cut The Night is one of best album of 2016, Invisible Stain fit perfect for BLACKHAT e
Mise-en-scène is what I see in Michael Mann’s Films
Don’t ask what precisely THE KILLERS have to Share with ALI but I think that’s a great Video and a Great Song
FOR OTHERS THINGS CHECK https://www.youtube.com/user/glaekenFP
A L I E N Covenant
So let’s talk about Sir Ridley Scott and his upcoming A L I E N COVENANT , coming out in ITALY 11 MAY 2017, in the previous 2 movies ALIEN and PROMETHEUS we have seen TWO spacecrafts named Juggernaut , a massive spacecrafts constructed by the Engineers( royal pricks of high-bred origins ),for whom know the saga that spaceships are derelicts, one on the moon LV426(ALIEN) and the other in LV233(Prometheus),both are planetoids(moons) of Zeta2 Reticuli IV system ; however , Now this time alien COVENANT show a third derelict spacecraft in to a another unknown terr-alike planet(PLANET 4),smashed in to a wood and with this premise, hoping not only a pilot’s issues, i’m sure it will be A remarkable Pandora’s vase in that amazing SCOTT’s filmic universe.
For who’s looking for other clues about this feature I can say most locations are from New ZeAland ; the cinematography is by Darius Wolski ASC (Prometheus) COVERED WITH ARRI ALEXA XT WITH PANAVISION LENSES(Probably ANAMORPHIC C Series or SOMETHING OF ACTUAL) and some aerial shoots been covered with RED EPIC and THE HYDRA AERIAL CAMERA system
Composed by JED KURZEL(1976, Australian composer , singer) ALIEN COVENANT SOUNDTRACK is integrating some original elements from JERRY GOLDSMITH’s A L I E N (check 02 The Covenant-05 Sail -06 Planet 4/Main Theme – 08 Wheat Field – 16 Face Hugger and 22 Alien Covenant Theme ) and something of really new mixing electronic with classical music that reach its best in the outstanding tracks 01 Incubation, 15 Command Override , 17 Chest Burster(BEAUTIFUL TRACK FIT IN TO A DISTURBING SCENE) ; while the top notch is the tracks 19 CARGO LIFT – 21 Terraforming Bay thanks to a sort of percussions that really enanched the scene and bring me to something structured and listen around James Newton Howard’s Collateral(Vincent hops train). THIS IS AN OUTSTANDING SCORE,A MUST AND SHOULD NEVER LACK TO ANY SOUNDTRACK COLLECTOR AND LOVER OF THIS MOVIE.
best experienced with ALIEN LEAGUE FONTS
MY LIGHT REVIEW ALIEN COVENANT
ALIEN COVENANT could be poorly named Alien 2017,loosing all the philosophical meaning of the word covenant and later paradise lost ,so i like think about that as upgraded new begin and as a l i e n lover I can’t notice the many homages and reference to 1979 FILM , including The T E R R I F I C Soundtrack by Jed Kurzel that has in ITs Musical DNA many Jerry Goldsmith sounds and score.In that outstanding work of art the message is clear this is a new movie about fear of Unknown, fear to face our fears , about choices and mistakes.The feeling of dread and that something of tremendous is coming is constant , those features fit and set in all the acts of the story ,well written directed and act (outstanding Fassbender and Waterstone)also supported by a state of art cinematography , production design , visual and special effects; this level of realism and beauty in my view was never reached in any other films of the saga(Alien and Prometheus except Which this film is the sequel ). Paying attention to details help making the differences in suspense terms how could be try to close an automatic door in front a bloodthirsty evil creature but our feet accidentally is blocking that function or run escaping from something and slipping over blood stains. Covenant is also a magnificent walk in the silence of the depth space but also a close up of acoustic meatus attacked by the black goo.A film of spaces there are introspective view Vs. the vastness of breath taking panorama or unsettling wastelands,with this visual synergy the feeling of being hunted make its play and leave its punch in the stomach . I saw this film twice in 24 hours and I’m still thinking about what i saw,so RIDLEY SCOTT’s Alien Covenant is working and I can’t wait for the next step in the story.
SEEN 3TIMES 72 HRS
“The 5th annual festival will occur January 26-27, 2018 at the Hollywood Theatre, a classic Portland venue built in 1926, restored, with 50′ screen, digital projection and sound”
Take None, Give None is a documentary about The Chosen Few, America’s first racially integrated motorcycle club, founded in 1959. Cesaretti first photographed The Chosen Few over 20 years ago, and in 2011 teamed with Kurt Mangum. Together they tell the motorcycle club’s story by creating an in-depth portrait of this South Central LA community of bikers.
ABOUT THE PDX FESTIVAL -DEC.2016-
January 27-28, 2017 marks the 4th annual Portland Motorcycle Film Festival, hosted by the Oregon Motorcycle Road Racing Association (OMRRA), a fundraiser for Air Fence and safety equipment purchase, deployment and repair at Portland International Raceway.
Feature films selected for 2017 include: Arrows of Fire, Macao Gladiators, Take None Give None, Beyond Siberia and 1000 Kilometer.
Visit http://www.PDXmotorcyclefilms.com to view movie trailers, purchase tickets, and see the full history of films shown.
The PDX Motorcycle Film Festival and OMRRA are non-profit organizations, with all proceeds from the event donated.
The title sponsor for 2017 is BMW Motorcycles of Western Oregon, Oregon’s premier supplier of adventure and touring motorcycles. Additionally, MotoCorsa, Portland’s award winning Ducati dealership, provides support for the 4th year in a row.
Films will be shown in style at the Hollywood Theatre in Portland, Oregon. Built in 1926, with fully restored terracotta façade and neon marquee, The Hollywood features a 50’ screen, digital surround sound, and seating for nearly 400. Every show all four years of the festival has sold out, so get tickets early.
Judges for the Portland Motorcycle Film Festival include Portland-based cinematographers and designers. Additionally, for 2017 moto-journalist Mark Gardiner will join the judging crew. Mark’s books include, among others, Riding Man and the indispensable Bathroom Book of Motorcycle Trivia.
To learn more about racing motorcycles with OMRRA see http://www.omrra.com.