A NOTE FROM ALAN HOWARTH : The final score as it is heard in the film is actually an amalgamation of Morricone’s original orchestral music, his subsequent electronic material (the pulsating “Thing Theme”), and the droning ambiences created by Howarth and Carpenter. “Other than that one session I really didn’t have that much involvement with it,” said Howarth. “I just helped John make those cues, and then it was really up to John to sit down and cut all that stuff in and say I want it here and I want it there.” Click on the image below for buy the double vinyl
REVIEW :SOUND QUALITY 5/5 ARTWORK AND PACKAGING 2.5/5
MY FAVS/Best Tracks:
SIDE ONE 01.Main Title 02 Despair
SIDE TWO Humanity 03 Burn It 04 Solitude
SIDE THREE 01 Fucks – 02 To Mac’s Shack*
SIDE FOUR 01 Eternity 02 Contamination 03 Bestiality
In my view COMPARING THAT RECORDINGS to the previous material from original MCA Album I WOULD LIKE TO SAY the pulsating TRACK“Thing Theme” Here available and named AT SIDE 1 TRACK 2MAIN THEME – DESOLATION – TRACK 3 HUMANITY II [Originally IS JUST HUMANITY II TRACK 8 OF MCA’s CD] is a little bit different AT FIRST HEARING AND IT could not be so great on SOUND DESIGN MATTER,SPECIALLY electronic beats.. but THE OTHER TRACKS have something of good and SEEMS BE improved in to orchestral arrangements,this KIND OF feature IS reflected in every orchestral part of this new edition.Instead The electronic droning ambiences tracks created by Alan Howarth and John Carpenter are amazing,powerful,deafening and ARE the real core of the SENSE OF DREAD AND TERROR OF THE movie as we heard in THEATERS IN TO 1982 ,so in my part this LP is a must have.THE RIGHT THING SHOULD BE HAVE THIS JC/HOWARTH’S COMPOSITION WITH THE ORIGINAL MORRICONE CUES.
2017 has Bring one of best movie never seen since years , I need movie like this , peace and enjoyment for my eyes and yes ,speaking about futuristic AI subjects, I’m one of those people that did not like BLADE RUNNER 2049; this one GHOST IN THE SHELL from Rupert Sanders is far better in my view, has the same charm of Alex Garland ‘s EX Machina and contains unforgettable moments (like the jellyfish scene ) but the experience is boosted starting from a linear well written story(forgivable in some little parts) and crafted with a outstanding crew continuing with casting choices, I LOVE Scarlett globally talking as I loved the choices of Juliette Bionche,Takeshi Kitano and the short uncredited cameo of Michael Wincott ;so let’s quote again the special EFX from Weta and others(don’t t forget Art Dept,Make up,Practical and CGI) , the Academy Award Jan Roelfs at Production Design , outstanding Jess Hall BSC Cinematography dealing with Alexa 65 and “Super Panavision 70” 65mm 5-perf film , the bloody Soundtrack by Lorne Balfe in association with Clint Mansell and last but not the least of Course Rupert Sanders Direction(And yes I hate Snow White and the Huntsman) so If you HAVE NOT GIVE YOUR CONSENT at Theaters please take your copy of BLU RAY everywhere and Enjoy the outstanding Experience of GHOST IN THE SHELL.
Scarlett Johansson plays Major in Ghost in the Shell from Paramount Pictures and DreamWorks Pictures.
ABOVE MY BLURAY(EUROPEAN MARKET )AND BELOW A GALLERY OF GHOST IN THE SHELL PICTURES