MY FAVOURITE THINGS FROM – N E T F L I X –

I’M NOT A NETFLIX ADDICTED IN MY VIEW IS TOO MUCH EXPANSIVE AND THEY TREAT AUDIENCE LIKE WE NEVER BEEN AT THE MOVIES,ESPECIALLY FOR SOME RIPPED OFF NETFILX MOVIE SUBJECTS(AND ARE NOT BETTER IDEAS), HOWEVER THEY HAVE BROADCASTED , LISTED OR PRODUCED SOME REMARKABLE THINGS OR SERIES THAT I WOULD LOVE TO REMIND AND REALLY DESERVE THE PRICE OF THE TICKET.

RICK AND MORTY 1,2,3

 

 

 

 

BLACK MIRROR

 

 

 

 

 

ONE PUNCH MAN

 

 

 

LOVE DEATH + ROBOTS

 

 

 

 

STRANGER THINGS 1,2,3

 

 

 

 

MINDHUNTER

 

 

 

 

LOST IN SPACE

 

 

 

 

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APPARAT LP5

APPARAT [Sascha Ring ,Quedlinburg, 27 june 1978] RELEASE THE FIFTH ALBUM NAMED LP5 AND PUT OUR MIND INTO A OUTSTANDING MUSICAL LANDSCAPE WITH AN ABSTRACT aim produce and shape MUSIC BETWEEN A NEW KIND of ELECTRONIC AMBIENT (BUT WITH CLASSIC ROOTS) FULL OF WISTFUL MOMENTS AND ELATED IMMENSITY.I’M VERY ADDICTED OF DAWAN – LAMINAR FLOW – eq Break – caronte – OUTLIER AND IN GRAVITAS . A MUST AND ANOTHER ALBUM TO WEAR OUT AFTER THE PREVIOUS [ Krieg Und Frieden (Music For Theatre) -the devils walk – dj kicks – WALLS ] ,MEANWHILE i’m STILL WAITING FOR capri revolution  RELEASE THAT won VENICE soundtrack Stars Award 2018

MUTE STORE  

 

TORINO VINYL HUNT

HOOKING YOU UP WITH BASED IN TORINO RECORDS SHOPS, FOLLOW THE PATH HERE;NOT FAR FROM CENTRAL RAILWAY STATION PORTA NUOVA GO OUTSIDE AND REACH NEARBYLA COLONNA SONORA,AFTER THAT STEP ASK FOR BUS/TRAM PLATFORM 39 AND GO UP TO BUS/TRAM6 OR 68 THEN AFTER SOME MINUTES YOU WILL REACH THE STOP 3549 VERDI,SO YOU ARRIVE IN VIA PO, HERE WITHIN A RANGE OF 500 METERS  CAN FOUND EASLY THOSE SHOPS,ENRICO’S NERO VINILE(EVERY GENRE Used VINYL AND CDs),FRAU MUSICA(Classic CD VINYL NEW AND USED),MATERIALE RESISTENTE(EVERY GENRE Used TAPE,VINYL AND CD) AND MARCO E MATTEO’S LES YPER SOUND(NEW VINYL CDs AND USED);IF YOU HAVE NOT FOUND WHAT ARE YOU LOOKING FOR OR YOU HAVE STILL MONEY IN YOUR POCKET GO TO BUS/TRAM PLATFORM 769 VIA PO AND GO UP TO TRAM/BUS NUMBER 18 OR 68 THEN REACH THE STOP AT PLATFORM 782 MARCONI, WALK FOR 10 MINUTES HEADING TO VIA ORMEA 31 FOR REACH THE SHOP OF MY FRIEND ANDREA DISCHI & DINTORNI


AFTER ALL IF YOU ARE HUNGRY THE LAST TRAIN FOR BACK HOME IS ENOUGH FAR OR YOU HAVE DO THIS VINYL TRIP WITH A CAR, THOSE PLACES COULD BE GREAT FOR TAKE A GREAT MEAL ,CLOSE TO VIA PO ,PIZZERIA MAMMA MIA  TRATTORIA LA GAIA SCIENZA,OR CLOSE TO VIA ORMEA L’ANGOLO DI PARIN AND TRATTORIA COCO’S

VOL 97 (2016) FROM ASC CLOSE UP – BEST PROFESSIONAL ADVICE RECAP

 

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From ASC CLOSE UP american-cinematographer-logo Vol 97(2016)

What’s The Best Professional Advice you’ve received?

PETER LEVY, ASC

Don’t get attached to anything _ Be Prepared to turn on a dime at any time.

GREG FRASER, ASC, ACS

It must be a lighting tip : ‘ When in doubt , turn it off ‘

PETER MOSS, ASC, ACS

No matter how technologies  change, a cinematographer’s most valuable tool is his eye.

JAMIE ANDERSON, ASC

Roger Corman would always tell his first-time directors before the first day of shooting, ‘Whenever you get a chance,sit down!’ Still good advice

DAVID KLEIN, ASC

Never Give Up!

FREDRIC GOODICH, ASC

Remain a student.Respect your crew. Collaborate

SHANE HURLBUT, ASC

Never feel comfortable, always challenge yourself and never stop dreaming.

LISA WIEGAND, ASC

My agent ,Charles Lenhoff, gives me pep talks before job interviews. Early on he said ‘Tell them you want the gig.’ I thought he was nuts! I assumed, ‘ if I’m interviewing, obviously I want the job.’ I’m still amazed then when I say it, it works. In a couple instances,after the interview, the producers thanked me for telling them, because apparently they often can’t tell if their cinematographer candidates are actually interested.

VANJA CERNJUL, ASC, HFS

Tomislav Pinter once told me, ‘A great cinematographer doesn’t have a style’

PETER ANDERSON, ASC

Oddly enough, it was a print AD that McDonalds’s ran back in the Sixties, promoting being ‘persistent and patient.’ This Mantra has served me very well over my career.

MANDY WALKER, ASC, ACS

When I was starting out there were only a small percentage of women in the camera dept., and I am constantly reassured that while it may still appear to be male-dominated, there’s no reason why it should be.

CHECCO VARESE, ASC

Wake up before everybody else ; go to sleep after everybody else; work more than you think you should.

AMC’S THE TERROR

 


AMC’S THE TERROR Is one of most awaited show of 2018,produced by SCOTT FREE(RIDLEY SCOTT) And David W.Zucker and adapted from Dan Simmons novel is based on 1848 circa true Events [The real ships HMS TERROR AND HMS EREBUS were discovered just 4 years ago THE GUARDIAN],so watching this outstanding terrific crafted series is like read a history horror book and everything deliver a great sense of dread,mixing gruesome deaths with a sort of nautical lucid nightmare.This story is seasoned with top notch acting [Remarkable parts by JARED HARRIS,CIARIN HINDS AND TOBIA MENZIES] ,Production design [outstanding job by Jonathan McKinstry] and a stunning use of music. About that last clue there are a couple of finds that are milestones of the music and really help to deliver the fear and despair of those bunch of people trapped in that sort of frozen hell.
FROM EPISODE# 2 THE GORE SOME SCOUTING EXPEDITIONS DISCOVERS THAT THERE’S NO HOPE – FROM 1972 TANGERINE DREAM’S ALBUM ZEIT PLAYS BIRTH OF LIQUID PLEJADES

FROM LAST EPISODE #10 WE ARE GONE WAS USED ROBERT FRIPP’s Abandonment To Divine Providence,THE MOST SIGNIFICANT TITLE OF EVER.

 

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GHOST IN THE SHELL

2017 has Bring one of best movie never seen since years , I need movie like this , peace and enjoyment for my eyes and yes ,speaking about futuristic AI subjects, I’m one of those people that did not like BLADE RUNNER 2049; this one GHOST IN THE SHELL from Rupert Sanders is far better in my view, has the same charm of Alex Garland ‘s EX Machina and contains unforgettable moments (like the jellyfish scene ) but the experience is boosted starting from a linear well written story(forgivable in some little parts) and  crafted with a outstanding crew  continuing with casting choices, I LOVE Scarlett globally talking as I loved the choices of Juliette Bionche,Takeshi Kitano and the short uncredited cameo of Michael Wincott ;so let’s quote again the special EFX from Weta and others(don’t t forget Art Dept,Make up,Practical and CGI) , the Academy Award Jan Roelfs at Production Design , outstanding Jess Hall BSC Cinematography dealing with Alexa 65 and “Super Panavision 70”  65mm 5-perf film , the bloody Soundtrack by Lorne Balfe in association with Clint Mansell and last but not the least of Course Rupert Sanders Direction(And yes I hate Snow White and the Huntsman) so If you HAVE NOT GIVE YOUR CONSENT at Theaters please take your copy of BLU RAY everywhere and Enjoy the outstanding Experience of GHOST IN THE SHELL.

Scarlett Johansson plays Major in Ghost in the Shell from Paramount Pictures and DreamWorks Pictures.

ABOVE MY BLURAY(EUROPEAN MARKET )AND BELOW A GALLERY OF GHOST IN THE SHELL PICTURES

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