BEST VIDEO FROM MY YOUTUBE CHANNEL

HERE SOME OF BEST VIDEO FROM MY YOUTUBE CHANNEL, ENJOY

From an old Shell adv I just re-scored it using Il Padre Di Italia soundtrack composed by the fluent Italian Composer Giorgio Giampà

1997 I was in L.A., I filmed everything with my VHSC this is what I have to show briefly,LA is a big set everything turn easy,I loved bee there as tourist

This is was edited From Criterion Collection Thief using an alternate edition of Tangerine Dream’s Beach Scene

Aaron ‘s We Cut The Night is one of best album of 2016, Invisible Stain fit perfect for BLACKHAT e

Mise-en-scène is what I see in Michael Mann’s Films

Don’t ask what precisely THE KILLERS have to Share with ALI but I think that’s a great Video and a Great Song

FOR OTHERS THINGS CHECK https://www.youtube.com/user/glaekenFP

VOL 95 (2014) FROM ASC CLOSE UP – BEST PROFESSIONAL ADVICE RECAP

 

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From ASC CLOSE UP american-cinematographer-logo Vol 95(2014)

What’s The Best Professional Advice you’ve received?

MICHAEL BONVILLAIN, ASC

‘Never stand when you can sit, and never sit when you can  lie down.’

JAVIER AGUIRRESAROBE, ASC, AFC

I don’t remember ever receiving advice about my work from anyone except my gaffers, who advised me not to be so impatient.However, I once received  this general advice : ‘ A movie is like the Tour de France: It’s not necessary to win all the stages. It’s more important to resolve the worst situations,maintain the consistency, and then arrive in Paris as the winner’.

REXFORD METZ, ASC

‘Never say no!’

GEORGE MOORADIAN, ASC

At the bottom of a silver mine in Park City, Utah, 1 1/2 Miles underground Garland Wilde intoned, ‘Don’t be afraid of the Dark.’ You can take that advice anywhere.

JAMES A. CHRESSANTHIS, ASC

Vilmos Zsigmond told me, ‘Jim, it takes 10 years to become a cinematographer, so be patient and remember, nice guys finish first. And promise me that when you are a successful, you will help the next person.’

ALEX FUNKE, ASC

‘Never ask the crew to undo something  they already done!’ And, ‘Always finish the day leaving a shot ready to start right away the next morning.’

KRAMER MORGENTHAU, ASC

‘In this business, if you aren’t early, you are late.’

JONATHAN FREEMAN, ASC

‘Trust your instinct. Your first choice is usually the best.’

KEN KELSCH, ASC

John Cassavetes told us at NYU not to stop shooting.Just figure it out a way to do it.

JULIO G. MACAT, ASC

When you shoot, take chances, don’t play it safe; push the envelope into that scary and dangerous place; do not settle  for mediocre work. There is always  for improvment . Be original; do ordinary things in a extraordinary way. Don’t forget you are telling a story- so what does each shot say? Shoot images that you would enjoy watching.

To Be Continued… –つづく…

VOL 94 (2013) FROM ASC CLOSE UP – BEST PROFESSIONAL ADVICE RECAP

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From ASC CLOSE UP american-cinematographer-logo Vol 94(2013)

What’s The Best Professional Advice you’ve received?

NEWTON THOMAS SIEGEL, ASC

Find a way to keep shooting, no matter what. That is how I have learned and how I have grown.

STEPHEN GOLDBLATT, ASC,BSC

My gaffer in England, Martin Evans,advised me to say nothing during the first three weeks of production,to just watch and listen. I wish I had followed his advice more closely.

RUSSELL CARPENTER, ASC

‘Every Producer,every lab,every equipment house and every crewmember(from Director to caterer) is your family.’

CHRISTHOPHER BAFFA, ASC

‘Lead through respect,not intimidation.’ Words of wisdom from Dad.

PAUL MAIBAUM, ASC

‘All one really has in this business is one’s reputation as someone who can be trusted’

SHELLY JOHNSON, ASC

‘Learn from your mistakes,not your successes’

DON BURGESS, ASC

‘Spend less than you make’

STUART DRYBURGH, ASC, NZCS

‘Using Pentax spot meter,John Toon Taught me the relationship  between incident and spot readings. I have used this method of exposure calculation ever since’

RON FORTUNATO, ASC

‘We’re all replaceable’

STEVE GAINER, ASC

‘Always set the people you’re working with know if you are unsure about something . it’s much better than explaining  why a mistake was made’

SEAMUS McGRAVEY , ASC, BSC

‘Cinematography is 10 Percent cinematography and 90 percent bladder control’

MICHAEL SLOVIS, ASC

‘Remain Positive.’ It’s harder than you think.

To Be Continued… –つづく…

VOL 92 (2011) FROM ASC CLOSE UP – BEST PROFESSIONAL ADVICE RECAP

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From ASC CLOSE UP american-cinematographer-logo Vol 92(2011)

What’s The Best Professional Advice you’ve received?

JACK COUFFER, ASC

From editor Irving Lerner: ‘Cut out all the comin’s and goin’s’

BARRY MARKOWITZ, ASC

‘There’s only one way to shoot this thing : Two Ways’

CRESCENZO NOTARILE, ASC

From Owen Roizman :” There’s no need to have an ego as a man. Let your work on that screen be your ego”

DENNIS MUREN, ASC

Jim Danforth taught me the value of critical thinking, especially about your own work, and how to see your work as the audience will see it. And during THE EMPIRE STRIKES BACK, George Lucas showed me a helicopter shot and asked if I could add a creature running in the ground, which at the time seemed impossible because of the six axis camera motion. He said, ‘ Give it some thought,’ and within 15 minutes I had a solution,That Taught me that a right answer might be one thought away.

TOBIAS SCHLIESSLER, ASC

‘Don’t shoot your demo reel.Be true to the story.’

DEAN SEMLER, ASC, ACS

From George Miller:’Just be bold,Dino!Be as bold as yo want!’

BRUNO DELBONNEL, ASC, ACS

When I was an AC, a gaffer told me, ‘Don’t run on a set, ‘because you show everyone that you probably forgot something. I still don’t run on set, and I try not to forget too many things’.

TOM HOUGHTON, ASC

I received early encouragement from Woody Omens,ASC; and Walter Lassally,BSC taught me many crucial concepts over the course of several projects. I also appreciated the opportunity to be on set of Fat City, where Conrad Hall, ASC was executing  innovative ideas using 8k (4x2K) umbrella lights for the fight scenes.In dailies,John Huston would just put his head on down and listen, trusting Conrad to deliver their visual plan.

DANTE SPINOTTI, ASC, AIC

It was actually given to my son  when he was getting ready to direct his thesis film at the American Film Institute.Jay Fortune, a New York gaffer I ‘d just completed a film with, suggested to him, ‘ Don’t lose your sense of humor,even when everything seems to be going in the opposite direction.’

XAVIER GROBET, ASC, AMC

Life is like an airplane: you either get on board , or you don’t . It’s up to you.

DAN MINDEL, ASC

When I was a focus puller on a movie with Adrian Biddle, BSC, I told him I did not have focus marks, and he said ‘ Feel The Force. ‘ I use that advice all the time.

LUCIANO TOVOLI, ASC, AIC

‘The Edges of the frame are often more interesting then the center’

To Be Continued… –つづく…

VOL 90 ( 2009 ) FROM ASC CLOSE UP-BEST PROFESSIONAL ADVICE RECAP

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From ASC CLOSE UP american-cinematographer-logo Vol 90(2009)

What’s The Best Professional Advice you’ve received?

GABRIEL BERISTAIN, ASC, BSC

Kate Nelligan , a superb actor, once told me that if I could light women beautifully, I would not help many careers, but I would also definitely help mine.

PETER SUSCHITZKY, ASC

I Was once invited to a dinner where Billy Wilder was one of the guests.He asked me what I was doing, to which I replied, ‘Oh , a small movie’ He said,’ There’s no such thing, just good ones and bad ones.’ For the rest, I listened to an inner voice that said,’Develop as many interests as you can, as you will need them to fill the long gaps between movie and enrich life in general.’

PETER  WUNSTRORF, ASC

‘Be Yourself’. I was about to interview for the aforementioned pilot (Millennium), and I was nervous.;my Good friend Dominique Fortin said, ‘Just be yourself;they will like you.’ I didn’t try to fake it. I thought it went badly, but in prep, the producer told me, ‘You came in and only spoke about the work,and that’s all Chris Cater cared about.’

THOMAS ACKERMAN, ASC

Legendary gaffer George ‘Popeye’ Dahlquist used to tell his lamp operatos ‘Boys,if you’re not 10 minutes early,you’re 10 minutes late.’Readiness is a big part of what we do.

JOHN LINDLEY, ASC

When I wanted to quit a miserable show, the director, Virgil Vogel,said,’Kid, never quit.If you have to leave, get fired.If you quit,it will always reflect on you.’

ALAN CASO, ASC

From John Frankenheimer: ‘Alan, whatever you do in this business,don’t ever let them push you into shooting something you know is just bad,something you’ll end up regretting or hating.Simple rule of thumb: ‘don’t shoot s**t!’

MARK IRWIN, ASC, CSC

When director Gil Cates chose me to shoot a love story starring Bea Arthur and Richard Kiley, he said he liked what i’d done on The Fly.I reminded him that Jeff Goldblum and Geena Davies were in a horror film, not a love story.He said,’No,they were in love, and that’s what the audience saw. Sometimes you have to ignore the words and let the pictures tell the story.

AARON SCHNEIDER, ASC

When I was starting out, a veteran first assistant  told me the 2-make Rule,’ make your leading ladies look beautiful and make your day.’

ALEXANDER GRUSZYNSKI, ASC

I think it was Sven Nykvist, ASC who once said, ‘Take chances, but when you do, lower the ASA settings on your light meter.’ To this day, no matter how great the latitude of the film stock is, I always calibrate my meter to a lower settings than what the manufacturer recommends.

ANASTAS MICHOS, ASC

I was working with Don McAlpine,ASC,ACS, and getting impatient watching the director, producer and assistant director endlessly discuss the next setup. Don turned me and said in his inimitable Aussie drawl,’Relax: Sooner or later they’ll have to come over to talk to us.’

PAUL RYAN, ASC

Michael Chapman, ASC said ‘You have to give the impression you know what you’re doing even when you’re totally confused.’

To Be Continued… –つづく…

IN THE MUSIC OF JOHN CARPENTER

THIS IS MY MUSICAL RECAP ABOUT JOHN CARPENTER MUSIC IN THE YEARS

IN THE MUSIC OF JOHN CARPENTER

LATELY SPEAKING ABOUT JOHN CARPENTER MEANS MUSIC, THE LAST WORK A DEBUT STUDIO “LOST THEMES “(SACRED BONE RECORDS) WAS PUBLISHED ONE YEAR AGO , AND WAS ABOUT MUSIC NOT TURN IN TO SOME SOUNDTRACKS;MUSIC PERFORMED BY HIM; HIS SON CODY AND FRIEND DANIEL DAVIES. TO TELL THE TRUTH ABOUT THIS ALBUM I LOVED JUST VORTEX,WRAITH and NIGHT 3 over 9 ,I GREW UP WITH ESCAPE FROM NEW YORK SO I THINK THIS IS NORMAL…I CAN’T LEAVE THIS CLICHE’..(FOR ME VORTEX IS AMAZING) HOWEVER…ENJOY THIS GREATEST HITS( I TRY TO BE UNEXPECTED) FOR UNDERSTAND THE GENIUS ON THE BACKGROUND.

 

 

LOST AND FOUND SOUNDTRACKS : THE LOVELY BONES

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THE LOVELY BONES Some Of The Unreleased Soundtrack


SMALL CRAFT ON A MILK SEA – COMPLEX HEAVEN – EMERALD AND STONE

BRIAN ENO From the Album SMALL CRAFT ON A MILK SEA

Immagine (206)

1/1

BRIAN ENO From AMBIENT 1: MUSIC FOR AIRPORTS

THE THIRD UNCLE

BRIAN ENO From TAKING TIGER MOUNTAIN BY STRATEGY

THE BIG SHIP

BRIAN ENO From ANOTHER GREEN WORLD

THE FIRST LIGHT

BRIAN ENO HAROLD BUDD From AMBIENT 2 THE PLATEAUX OF MIRROR

ALICE

COCTEAU TWINS From VIOLALINE Disc Four of 4AD ‎– CT BOX 2 EP Box Set LULLABIES TO VIOLALINE

SONG TO THE SIREN

THIS MORTAL COIL From 4AD IT WILL END IN TEARS

CELTIC SWING

VAN MORRISON From INARTICULATE SPEECH OF THE HEART