“Take None Give None” Get Awards

GUSMANO CESARETTI WON THE BEST FEATURE AT PDX PORTLAND MOTORCYCLE FILM FESTIVAL 2017

“The 5th annual festival will occur January 26-27, 2018 at the Hollywood Theatre, a classic Portland venue built in 1926, restored, with 50′ screen, digital projection and sound”

Take None, Give None is a documentary about The Chosen Few, America’s first racially integrated motorcycle club, founded in 1959.  Cesaretti first photographed The Chosen Few over 20 years ago, and in 2011 teamed with Kurt Mangum. Together they tell the motorcycle club’s story by creating an in-depth portrait of this South Central LA community of bikers.
takenonegusmano

TAKE NONE GIVE NONE – TEASER from Take None Give None on Vimeo.

ABOUT THE PDX FESTIVAL -DEC.2016-

January 27-28, 2017 marks the 4th annual Portland Motorcycle Film Festival, hosted by the Oregon Motorcycle Road Racing Association (OMRRA), a fundraiser for Air Fence and safety equipment purchase, deployment and repair at Portland International Raceway.
Feature films selected for 2017 include: Arrows of Fire, Macao Gladiators, Take None Give None, Beyond Siberia and 1000 Kilometer.
Visit http://www.PDXmotorcyclefilms.com to view movie trailers, purchase tickets, and see the full history of films shown.
The PDX Motorcycle Film Festival and OMRRA are non-profit organizations, with all proceeds from the event donated.
The title sponsor for 2017 is BMW Motorcycles of Western Oregon, Oregon’s premier supplier of adventure and touring motorcycles. Additionally, MotoCorsa, Portland’s award winning Ducati dealership, provides support for the 4th year in a row.
Films will be shown in style at the Hollywood Theatre in Portland, Oregon. Built in 1926, with fully restored terracotta façade and neon marquee, The Hollywood features a 50’ screen, digital surround sound, and seating for nearly 400. Every show all four years of the festival has sold out, so get tickets early.
Judges for the Portland Motorcycle Film Festival include Portland-based cinematographers and designers. Additionally, for 2017 moto-journalist Mark Gardiner will join the judging crew. Mark’s books include, among others, Riding Man and the indispensable Bathroom Book of Motorcycle Trivia.
To learn more about racing motorcycles with OMRRA see http://www.omrra.com. 

VOL 95 (2014) FROM ASC CLOSE UP – BEST PROFESSIONAL ADVICE RECAP

 

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From ASC CLOSE UP american-cinematographer-logo Vol 95(2014)

What’s The Best Professional Advice you’ve received?

MICHAEL BONVILLAIN, ASC

‘Never stand when you can sit, and never sit when you can  lie down.’

JAVIER AGUIRRESAROBE, ASC, AFC

I don’t remember ever receiving advice about my work from anyone except my gaffers, who advised me not to be so impatient.However, I once received  this general advice : ‘ A movie is like the Tour de France: It’s not necessary to win all the stages. It’s more important to resolve the worst situations,maintain the consistency, and then arrive in Paris as the winner’.

REXFORD METZ, ASC

‘Never say no!’

GEORGE MOORADIAN, ASC

At the bottom of a silver mine in Park City, Utah, 1 1/2 Miles underground Garland Wilde intoned, ‘Don’t be afraid of the Dark.’ You can take that advice anywhere.

JAMES A. CHRESSANTHIS, ASC

Vilmos Zsigmond told me, ‘Jim, it takes 10 years to become a cinematographer, so be patient and remember, nice guys finish first. And promise me that when you are a successful, you will help the next person.’

ALEX FUNKE, ASC

‘Never ask the crew to undo something  they already done!’ And, ‘Always finish the day leaving a shot ready to start right away the next morning.’

KRAMER MORGENTHAU, ASC

‘In this business, if you aren’t early, you are late.’

JONATHAN FREEMAN, ASC

‘Trust your instinct. Your first choice is usually the best.’

KEN KELSCH, ASC

John Cassavetes told us at NYU not to stop shooting.Just figure it out a way to do it.

JULIO G. MACAT, ASC

When you shoot, take chances, don’t play it safe; push the envelope into that scary and dangerous place; do not settle  for mediocre work. There is always  for improvment . Be original; do ordinary things in a extraordinary way. Don’t forget you are telling a story- so what does each shot say? Shoot images that you would enjoy watching.

To Be Continued… –つづく…

The Texas Chainsaw Massacre 2 Music From The Motion Picture

The Texas Chainsaw Massacre Part 2

Music From The Motion Picture

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Taken from my personal 12″ copy from IRS Records ( IRS-6184 ) here a Mixcloud of this rare Out of Print Soundtrack Gem, I love the music used in this feature,more than the movie itself however I liked the “mojo” that Tobe Hooper used in doing that!p1000917


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VOL 94 (2013) FROM ASC CLOSE UP – BEST PROFESSIONAL ADVICE RECAP

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From ASC CLOSE UP american-cinematographer-logo Vol 94(2013)

What’s The Best Professional Advice you’ve received?

NEWTON THOMAS SIEGEL, ASC

Find a way to keep shooting, no matter what. That is how I have learned and how I have grown.

STEPHEN GOLDBLATT, ASC,BSC

My gaffer in England, Martin Evans,advised me to say nothing during the first three weeks of production,to just watch and listen. I wish I had followed his advice more closely.

RUSSELL CARPENTER, ASC

‘Every Producer,every lab,every equipment house and every crewmember(from Director to caterer) is your family.’

CHRISTHOPHER BAFFA, ASC

‘Lead through respect,not intimidation.’ Words of wisdom from Dad.

PAUL MAIBAUM, ASC

‘All one really has in this business is one’s reputation as someone who can be trusted’

SHELLY JOHNSON, ASC

‘Learn from your mistakes,not your successes’

DON BURGESS, ASC

‘Spend less than you make’

STUART DRYBURGH, ASC, NZCS

‘Using Pentax spot meter,John Toon Taught me the relationship  between incident and spot readings. I have used this method of exposure calculation ever since’

RON FORTUNATO, ASC

‘We’re all replaceable’

STEVE GAINER, ASC

‘Always set the people you’re working with know if you are unsure about something . it’s much better than explaining  why a mistake was made’

SEAMUS McGRAVEY , ASC, BSC

‘Cinematography is 10 Percent cinematography and 90 percent bladder control’

MICHAEL SLOVIS, ASC

‘Remain Positive.’ It’s harder than you think.

To Be Continued… –つづく…

VOL 91 ( 2010 ) FROM ASC CLOSE UP-BEST PROFESSIONAL ADVICE RECAP

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From ASC CLOSE UP american-cinematographer-logo Vol 91(2010)

What’s The Best Professional Advice you’ve received?

BILLY DICKSON, ASC

Stay true to Yourself. When Everything is crazy around you and you feel like you’re being forced into making all the compromises,do what is right for you and make the compromises you can live with.In the end,what people see on the screen is what they remember you by.

PAUL CAMERON, ASC

Invest in yourself, and if you ‘re not willing to risk everything,then don’t bother doing anything.

SALVATORE TOTINO, ASC

The Advice I got the first day I worked in the film business: Always be five minutes early to work, never five minutes late.But more importantly, live on the edge when it comes to your photography–Take risks.Put your ideas on film and fall down a few times; it will make you a great filmmaker.

RENE OHASHI, ASC,CSC

Have a clear vision, design and objective for every scene. Then, by lighting with your instincts along with your intention  and setting you own level of excellence, you will find satisfaction.

FRED ELMES, ASC

It’s the director movie.The Director is always right.

JOHN SCHWARTZMAN, ASC

From my grandfather, Carmine Coppola: What you do with your non-working time is more important than what you do with your working time.

THOMAS A. DEL RUTH, ASC

From Jordan Cronenweth: ‘Minimize compromise,be prepared for rejection, and save your money’

CHARLES MINSKY, ASC

I’m not sure it’s the best advice,but when I first began working as a camera assistant , Joe Ruttenberg, ASC lived next door.He took me into his house one day and showed me his two Academy Awards and told me to become an editor because they had more control on his art than he did.It did not deter me, but it made me aware that I wasn’t in complete control of the finished product.It’s a lesson I’m still learning.

DEJAN GEORGEVIC, ASC

Lee Rothberg’s Mantra :’ Keep Calm,Cool and collected at all times’

JIM DENAULT, ASC

From Tim Beiber: ‘ Show up early,don’t sit down,and act like you give a shit.’ It’s easy to remember and has far-reaching implications’

PHEDON PAPAMICHAEL , ASC

Roger Corman used to tell his young directors to sit down on an apple-box whenever they got an opportunity.I always try to pace myself through a long shoot;I see a lot of folks burn out before the film is done.

FRANK B.BYERS, ASC

From my agent: ‘Be the happiest guy on set.’ He was right

To Be Continued… –つづく…

BLACKHAT TRIBUTE

BLACKHAT TRIBUTE

BLACKHAT INVISIBLE STAIN

ANOTHER TRACK(From WE CUT THE NIGHT Album) COME TO VISIT ME AND SUDDENLY I HAVE A SPECIAL NEED TO DO THIS MASHUP, SO I SPENT A COUPLE OF HOURS IN MY AVID STUDIO AND I GUESS THIS IS ONE OF MY BEST TRIBUTE.ENJOY THIS MUSIC FROM FRENCH BAND AaRON and THIS OUTSTANDING AS UNDERRATED MOVIE BY M I C H A E L  M A N N

VOL 89 ( 2008 ) FROM ASC CLOSE UP-BEST PROFESSIONAL ADVICE RECAP

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From ASC CLOSE UP american-cinematographer-logo Vol 89(2008)

What’s The Best Professional Advice you’ve received?

GLEN MacPHERSON, ASC

‘Keep it Simple’. it’s Always exciting to try a new piece of gear, but sometimes two grips pulling a camera on a blanket is stille the best solution.

TORBEN JOHNKE, ASC

I once worked with Irvin Penn, who told me a simple rule: less is often better.He used a single soft light for most of his shots. We shot a number of Pepsi commercials that way, and those spots won several Clios.

WAYNE KENNAN, ASC

Right After I was accepted into the union as an operator, I was offered a job at Warners as An Assistant. I needed a letter from a producer to re-rate me.The Producer told me I’d be an idiot not to pursue operating because it might take me 10 or more years to ge there again.He was right;it was a struggle. But I established myself as an operator and was working steadily within a year.

RODNEY TAYLOR, ASC

When Leavie Asked me to work with him at Corman’s, the pay was 50$ a day.Levie said,’They’re not paying for experience .Take the job and you’ll meet people.’

ANTONIO CALVACHE, ASC, AEC

This is directly related to my memorable blunder. When Conrad Hall ASC gave me a lecture at AFI, he was asked what a single piece of advice he’d give to aspiring cinematographer.His answer :’Get Enough Sleep.’

ROB MacLACHLAN, ASC, CSC

My Dad told me it did not matter what I did for a living as long as I loved it.Also, much later, Richard Leiterman caught up with me at CSC Awards, where I’d  just gotten my fourth consecutive  award for TV series and was on a bit of a roll. He told me not to ‘get too damn comfortable’ and to ‘get the hell back to the USA while ya can!’ A year later, I was divorced, living in my native California, doing my most satisfying work ever, and shooting a big studio feature. My career and life have only gotten better since that.

BILL TAYLOR, ASC

When I asked Freddie Francis for his secret to glamour lighting, he said, ‘Put a great Big light over the lens. And get Brooke Shields if you can.’

JOHN S.BARTLEY, ASC, CSC

‘Light the Set, then turn off half the lights and shoot.’

PETER KOZACHICK, ASC

At ILM, Dennis Muren, ASC had a simple, powerful phrase:’ One Shot, one Thought.’ When we lapse into gliding the lily on a setup, that quote provides a reality check.

ROSS BERRYMAN, ASC, ACS

‘Be nice to people on your way up because you never know who you’re going to meet on the way down.’

VICTOR GOSS, ASC

When I was becoming successful shooting commercials, a wise producer friend learned over in a screening room once and whispered ‘Don’t let this go to your head.’About 23 years later, I figured out what he meant.

DONALD McALPINE, ASC, ACS

The late and wonderful Phil Gersh, my agent for many years, listed the directors one should avoid working with. I’m not going to publish that list.Reports and anecdotes over the years have been an indication of grief avoided.

To Be Continued… –つづく…